“Everyone wants to know art. Why not attempt to understand the song of a bird?…people who attempt to explain pictures are usually barking up the wrong tree.” – Pablo Picasso. What Picasso says about understanding art is very relevant to the way we approach Large Abstract Wall Art. Lots of people think that abstract paintings will need to have a specific meaning of some sort, that could be clearly understood and articulated if only they knew how. This misconception is not helped by the endless supply of people prepared to spout nonsense about what believe that the artist was seeking to say. The almost inevitable consequence of this situation is that people either can feel like they are being excluded from sharing in certain secret knowledge, or alternatively conclude that abstract painting is actually all a sham. In any event, the end result is the fact that lots of people do not feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark so far as my own, personal paintings are concerned. Should I had a specific message or perhaps a which means I was able to articulate in words, i would articulate it in words – the painting would have no purpose. The whole point of creating an abstract painting is it embodies something which only it can, in a manner in which should not be put in words. It is not an essay this is a painting – it encompasses and expresses things in a language which is unique towards the medium of paint. That is why we need to not try to ‘understand’ abstract paintings in how people sometimes feel they ought in order to.
The viewer must not look for a clear narrative in an abstract painting – it is far from planning to tell a narrative, or reference an external ‘subject’ in the same way that the figurative painting will. But that does not mean there is no meaning or no subject, or that abstract paintings cannot communicate with and move people. When asked about subject matter, the Abstract Expressionist artist Jackson Pollock said, “I am the niche”. Pollock’s statement is not just true, it is actually inevitable.
The experiences, personality, memories and mood in the abstract artist cannot help but be fed to the Black and White Canvas Art if the artist approaches the task in an open and honest way. I do not require another subject or idea before I can produce a painting – I simply begin. The reality that I am just me without any-one else is why my work different to anyone else’s, and this is also true of artists. The colours I choose, the marks a make, the accidents I choose to leave, or obliterate, these are things i choose because of who I am.
If you were to present many different artists with similar basic design on the canvas and make them pick up a brush and develop the painting, the differences in the things they would choose to do would be enormous. I actually have watched other abstract artists at work on paintings and thought “I would personally never in a million years have chosen that colour and place it there.” Not because I think it is wrong or bad, but because they are who they are and (to quote that other leading artist, Morrisey!) “only I am I”.
Abstract paintings – There are numerous great types of painting on the market, as a result of a rich art history which includes seen movement after movement. The word abstract art is often used a blanket term to illustrate non-representational art – which is the lack of recognisable subjects. Abstract art was linked to the rise of modernism over the past century, getting into the mainstream with abstract expressionism in post-war art but still continuing to influence artists today.
What brought about the qualities we percieve in abstract art? The flattening in the artist’s canvas surface is certainly one major quality, as artists moved away from a convincing illusionism towards broader-minded thinking. With the invention of photography releasing the artist from painting as a method of recording reality, they began seeing the canvas surface as being an object in its own right, with the canvas being a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and started to form its very own qualities according to the actual way it was handled. The paint could exhibit ‘personality’, it had their own dimensions and opened a range of xsjvnx techniques we percieve in artwork from the last century. One of the primary reasons artists began Large Custom Paintings within an abstract way was the opportunities for greater creativity. It allowed for any greater variety of expression and the development of ideas which were not reliant on representing reality any more.